Haiduk is a Death Metal
band from Canada who currently consists of a single member, Luka
Milojica. His current full-length offering, “Spellbook” wastes
little to no time getting to the good parts, so I'm going to do the
same with this review. First of all, the production value is pristine
without being too slick. While Metal that sounds this clean usually
isn't my thing, the level of sound quality on display here has done
nothing to sacrifice any of the intensity you expect out of
high-speed Death Metal.
The music to vocal ratio leans more towards the side of punishing riffs rather than booklets full of lyrics, but “Spellbook” does in fact read a bit like it's namesake once you open up the liner notes.
The music to vocal ratio leans more towards the side of punishing riffs rather than booklets full of lyrics, but “Spellbook” does in fact read a bit like it's namesake once you open up the liner notes.
Each track contains an
explanation of it's subject matter with the song's lyrics highlighted
in the text. When read in order, the whole album seems like an
introductory course in harnessing various magics to do your bidding.
For all I know, these spells actually work, but I haven't tried one
yet. As with most Death Metal, listening to Haiduk around the average
person (lovers of karaoke television and such) will most likely make
them steer clear of you; perhaps the most useful spell of them all. I
can also tell you with at least some certainty that playing this
album around superstitious or overtly-religious people will probably
make them attempt to conjure up a few spells of their own to protect
themselves from this blast of “Devil Music”.
All in all, this album is
a great listen from front to back. There is certainly no shortage of
tasty riffing, but the vocals are indeed quite sparse. This doesn't
effect my personal enjoyment of the album, but I can imagine a few
listeners getting annoyed with the lack of vocals; it's Metal,
someone is bound to find something to bitch about. However, you won't
find any complaints here; from the thrashy opening riff of “Lich”
to the finger-tapped intro to “Tremor” to the guitar solo at the
end of the final track, “Vortex” this is all quality Death Metal.
If you're looking for something fast and heavy to play while you
drink and raise hell with your friends, this is perfect. Technically,
since the subject matter deals primarily with destructive magic (or
maybe this kind is spelled “magick”, I'm not sure) this album
could probably work as a soundtrack to your next outing into the
world of role-playing games as well. Unless of course, you don't get
into slaying mythical beasts while getting sloshed and listening to
Metal; if that's the case, you might want to re-evaluate your
hobbies.
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