What can I say about Crocker
that so many South Carolina media outlets haven't said already? Well,
a lot actually since I don't condense things into easily-digestible
soundbytes and remove anything even remotely against the status quo,
but let me not go off on a tangent here. For those of you unfamiliar
with this artist's body of work and the controversies that have
surrounded it over recent years, allow me to sum it up by saying that
Crocker doesn't bite his tongue for anyone and certain people in the
local hierarchy don't like that one bit. To be completely clear, the
top spot on the southern totem of power is held in a vice grip by the
church. I can only imagine what they would say about Crocker's latest
collaborative effort with fellow Lovelorn Records artist, Walter
Kronkite, "High Almighty".
The album opens with Crocker
reciting Deuteronomy 6:4 in both English and Hebrew, something that
is sure to make the average radio-rap fan turn the album off in a
dismissive huff. That's right, folks, do not walk into this expecting
to hear about cars, fashion or any kind of "bottle-popping".
Thank God. I'm tired of all that stuff, personally. If you're
anything like me, you grew up with albums like "Heavy Mental"
by Killah Priest in your Friday night playlist. What can I say? I
like rappers with something on their mind other than their money.
Anyway, the title track is a bit like an overview of the
philosophical and existential questions raised throughout the rest of
the album and in many of our heads on a daily basis. "High
Almighty, will you take me?" and the sincerity shines through as
well as the accompanying vocal of soulful chanteuse, Hillary Keane.
The anxious violin strings on the track add to the dark, reflective
tone of the song to craft a truly excellent instrumental for lyrics
of this nature. It's not happy or sad, it's just real.
Next is "The Rot",
featuring a Portishead instrumental that showcases Crocker and Walter
Kronkite spouting lyrics intended to challenge your way of thinking.
The chorus asks, "Are you programmed? Can you feel it yet?"
and mind you, this isn't some sort of conspiracy theory rap, these
are thoughts that you are invited to reflect upon for yourself.
Speaking of reflection, "Adult Swim" shows both rappers
getting deeply personal for a verse over a thoroughly somber beat.
Never is it a "poor me" story, it's just real, perhaps even
a glimpse into each man's psyche. It shows great inner strength to be
okay with revealing such personal tales and if I had to speculate,
that would be the takeaway for the listener, at least on this song.
"Cecedit Corona"
is a scathing commentary on modern society, artfully done. The song's
title is a reference to Lamentations 5:16 "The crown has fallen
from our head. Woe to us, for we have sinned!", but instead of
being "preachy" it is truly a revelation. At it's start, a
sample of a JFK speech is used containing the line "We are
opposed around the world by a monolithic and ruthless conspiracy that
relies primarily on covet means for expanding it's sphere of
influence". Later in the song, a sample from late comedian and
philosopher, George Carlin says "Everyone's got a cellphone that
makes pancakes, so they don't want to rock the boat, they don't want
to make any trouble. People have been bought off by gizmos and toys
in this country and no one questions anything". One need only
observe our lives closely and without outside influence to see how
profound these statements are when juxtaposed. Walter Kronkite
expands on the idea that we've been bought and conditioned to not ask
questions with the line "Education don't pay enough for me to
want to teach you", a sadly accurate commentary on the use of
debt to control our way of thinking. If you pay attention to this
album, you just might learn something.
I could continue on about
the profound lyrics and somber, yet at times vaguely hopeful tone of
this album, but I'd rather encourage you to listen for yourself. This
isn't background music or something to party to, but there is no
shortage of head-nodding beats. "Revelation 6:8" would be a
good place to start for someone who is open to stepping away from
commercial hip-hop's focus on materialism and going back to the
essence of the genre; skillful rhyming with plenty of realism and
social commentary over a hard beat. "I.D. (Idol Displacement)"
examines influential people being reduced to nothing more than a
marketing scheme, "please, when I die put my guise on a shirt
and let it misrepresent and make light of my work". Think about
that the next time you see a Bob Marley poster at Hot Topic.
Before you write any of this
album off as the manifesto of a bunch of conspiracy theorists, keep
in mind that the term "conspiracy theory" was coined by
none other than Richard Nixon at the beginning of the Watergate
scandal. At no point in "High Almighty" are you told what
to think, you are merely presented with information and implored to
think for yourself. This probably isn't the album that the younger
generation of rap music fans want, but it may be the album that they
need. As a society, we need to get people observing something more
than how many twitter followers they have and talking about something
more than who got hit with a shovel on youtube or who acts like a
thug on vine. Music is powerful, it can influence us in ways that we
often don't immediately realize. I don't think it's far-fetched to
believe that the majority of popular hip-hop's focus on mindless
consumerism is dumbing-down the youth and breeding complacency, but
as long as there are artists out there like Crocker and Walter
Kronkite, there is at least a glimmer of hope.
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