The following is a grand
understatement: heavy metal is an extremely polarizing genre of
music. Its millions of fans, united in their love of loud guitars,
black clothing, and grim imagery are simultaneously divided by
sub-genre lines. These black metal fans over here hate grindcore, and
those power metal fans over there can't get into death metal.
Denim-clad thrashers stand around bored to tears when deathcore bands
take the stage, and vice versa. Metal fans are a finicky bunch, but
Marrow of Earth may have tapped into a style that can please most of
them. It is impossible to please them all, so even getting remotely
close to accomplishing such a feat is worthy of praise.
The second Marrow of Earth e.p. starts
with the title track, “Lethe” which begins with a somber, yet
melodic clean guitar riff, and bluesy lead runs. I found myself
thinking about my initial forays into the metallic arts, and the
first albums I purchased. It seems that in recent years, these kind
of intros that slowly transform from a sort of melodic rock to
full-on metal assault are somewhat of a lost art. Many of today's
metal bands are content with a fast/slow dynamic that never relents
in its brutality, switching from blastbeats to breakdowns with little
interesting content in between. Marrow of Earth have stepped up their
songwriting approach even further this time around, and bring a whole
lot more to the table than your average metal band.
This is a band that not only seamlessly
transitions from more traditional, ear-wormy riffs to ferocious black
metal din, but makes you wonder why more bands can't pull off such an
effective blending of sub-genres. Indeed, one may be vaguely reminded
of Iron Maiden, and Dismember in the same song, but all these
delicious riffs swirl together flawlessly, and without even a hint of
being forced. “Amongst the Worms” starts with a more
straight-forward, infectious, head-banging riff before dispensing
tasty lead guitar lines, and transforming into a wave of blastbeats,
and tremolo picking. Thrash, and black metal are combined here
without sounding even a little like typical “blackened thrash”,
this is a whole new beast. A beast that lunges for your throat with
such skill that you find yourself in awe before being ripped apart.
This e.p. is a guitarist's wet dream,
with no shortage of shred, but at no point does it come off as
self-indulgent. Everything here fits in its place perfectly,
especially their new vocalist who barks, growls, and screams bloody
murder to great effect. Undoubtedly, your typical hard rock fan (who
thinks they're into heavy metal) would likely find this music a
little too “extreme” for their radio-molded tastes, but for the
rest of us, “Lethe” is a real winner. Excellent musicianship all
around, and you'd be hard-pressed to find another band this
brutally-heavy that also features a clear understanding of how to
write a memorable song. I found myself playing this roughly twenty
minute e.p. over, and over without even the slightest desire to skip
ahead; pressing “stop” only when it was absolutely necessary for
the health of my eardrums. I do not care if my neighbors enjoyed this
e.p., but I heard no complaints.
The nearly seven minute closer,
“Inhumanitarian” has more catchy riffs in it than some bands
feature on an entire album. If Marrow of Earth doesn't keep your
attention with their intensity, they will surely sell you on their
excellence with their grasp of dynamics. No chugga-chug breakdowns,
just a roller coaster ride of top-notch metal riffing. I found
listening to “Lethe” to be like rediscovering my love of heavy
metal all over again. Guitar riffs that you will wind up humming at
some point in your day, and solos that would make the most uptight
rock fan want to stand on a table, and play air guitar. Not to
mention a flawless rhythm section featuring drumming that is as
technically proficient as it is tasteful. This is how heavy metal
should be done, with blatant disregard for genre lines, and a
ridiculously tuneful approach to wreaking sonic havoc.
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