Everyone knows life is full of
difficult decisions and desperation can cause you to do things that
you never thought you would be capable of doing. Sometimes you regret
those decisions and question why you ever thought you were making the
right choice. Other times you look back and laugh, accepting the
lesson you learned and filing away the story for another time;
perhaps to help someone else learn from your mistake or simply to
entertain. The following is a tale of a moderately bad decision that
ultimately led to personal growth and one of my personal favorite
things, a funny story to tell. Enjoy another glimpse into my past and
join me as I simultaneously laugh at and with myself.
As many readers of this blog and
listeners of the weekly podcast already know, I've played heavy,
aggressive music for most of my life. However, there was a time when
I was so desperate to draw income from a creative outlet as opposed
to a mind-numbing, soul-crushing occupation that I perused the local
classified ads and found my way into what I thought was a
professional band. I was accepted into the band as a guitarist almost
immediately due to my ability to play by ear; at our initial meeting,
I learned three of their set's staples in just a couple attempts
each. Being that I was in a small, southern town, I expected having
to play the standard “honky tonk” songs from bands like ZZ Top,
Lynyrd Skynyrd, etc. so I knew at least some pride-swallowing was in
order. What I didn't expect was learning 50 songs in roughly 2 weeks
by artists that I mostly could not stand hearing. I was not expected
to nail the band's entire catalog in such a short period of time, but
I wanted to show these people that I was serious about getting paid
to play music.
Admittedly, part of my dedication to
mastering the band's repertoire as quickly as possible was showing
them that a young Metalhead such as myself could dive right into
their genre with ease. That was the so-called “Metal Elitist”
side of me poking it's over-inflated head out to passively gloat
about the “musical superiority” of my genre of choice. The other
part of my obsession with dominating the band's massive set-list was
that as a musician, I love a challenge. I dove headfirst into the
much lighter side of my parents' music collection. There would be no
Led Zeppelin and Uriah Heep this time, I was going right for the
Dwight Yoakam and Van Morrison CDs while keeping my urges to cringe
under control. Huey Lewis and the News? Kenny Chesney? “Bring it, I
will school every single one of these crap-tacular songs!”
Any time my ego would swell after
learning a new song in it's entirety in under 10 minutes, I'd run
into a song that was surprisingly tricky. While Heavy Metal, for the
most part, is undoubtedly a more technically demanding genre of
music, Country music works by an almost entirely different set of
rules that I had yet to learn. The sheer simplicity of some the songs
confused me at first, but once I figured out that most of the songs
worked entirely within the confines of a particular scale, it started
making more sense. I had never bothered memorizing scales when I
first started playing guitar, I learned a handful of chords and
jumped right into learning Nirvana and Black Sabbath songs. Picking
out the guitar riff when it's in the forefront of a song is one
thing, but finding a guitar riff buried in the mix under pedal steel
guitar and violin (or “fiddle” in Country vernacular) was a whole
new beast to be slain.
After a half dozen or so practices with
this band, I began further sharpening my approach to this new
material. Instead of going the standard cover band route of playing
just any solo during the song, I would learn every note of the actual
recorded solo and sometimes add my own flourishes to them. I thought
I was kicking ass at this Country thing and the band as a whole was
ready for the stage, but the rest of the band kept insisting we
practice more. After being in this band for what had to have been at
least 4 months, but felt like years, we were scheduled to play at a
small town festival complete with gospel acts and clog dancers.
Truthfully, I was more anxious to get it over with than nervous to
perform, but it would have been nice to have known beforehand that I
would be playing in a “dry county” completely unable to indulge
in what I like to call “performance juice.” It was a long,
sweaty, boring day, but I walked away with about one hundred dollars;
pretty stellar compensation for 30 minutes of guitar playing.
Enamored with the potential for more
money, I slowly began accepting these songs and actually having a bit
of fun during the rare times I was able to crank the distortion
during the set. Months passed and a second guitarist and keyboard
player were added, filling the sound with all the “ear candy”
that any drunk redneck could ever ask for in a smoky bar, but the
paying gigs were still mostly out of reach. Sure, “practice makes
perfect”, but the same songs being played two times a week for
several months is more than enough practice for one show. There was
never any actual songwriting, just dreams of becoming a bar's “house
band” at the beach. This band incorporated obscure Southern Rock
songs into their set in lieu of actually writing any of their own
material. This was in spite of the singer's desire to be the next
“Country Heartthrob” on the cover of whatever magazines those
people read. My guess is that either these people never got the memo
that cover bands remain cover bands until they write something of
their own or they thought that some professional songwriter would
jump in to help once we became a “house band” somewhere. I really
couldn't say one way or another since 4 out of 5 of the other members
never attempted to get to know me.
Month after month rolled by and we
continued practicing, by this point I was approaching the rest of the
band with more songs by artists we already covered; lyric sheets and
all. “Why just play Creedence Clearwater Revival's 'Green River'
when we could play one of these other 6 CCR songs I learned in the
past week?” was my thought process, but the majority of them were
not interested in what I had to bring to the table. The other
guitarist was an old hippie who would perk up a bit when I started
playing Doors riffs at practice when everyone else was setting up. We
were mostly on the same page in spite of our 30+ year age difference,
but the rest of the band were set in their ways and led by a 70 year
old bassist with a passion for beach music and apparently, practicing
10 times more often than actually playing shows.
We played that same “dry county”
festival the following year, it was our second paying gig and I was
growing increasingly tired of having little to show for my efforts
other than constantly having Country songs stuck in my head. This
time around our pay increased by 50 dollars per member and I suddenly
became willing to tough it out for a bit longer; imagine my delight
when talks of an actual bar gig came up at the next practice. I
thought playing with these strangers in this generic band was finally
about to pay off and started trying to get used to the idea of
changing my stage wardrobe to fit in a little better, but then we
actually played the show. That's when reality hit me with all the
force and aggression that the music I had been playing for the last
year and a half lacked.
That night we were scheduled to play
three sets at 30 minutes each at the local motorcycle bar. I knew
every song inside and out, but was still generally uncomfortable in
such a setting. I started loosening up a bit when a few friends
walked in to show support and actually started feeling like a part of
the band when the singer offered me a shot. “You know, this might
actually start being fun” I thought after our first “high energy”
set consisting mostly of Southern Rock and Bluesy numbers and the
accompanying shots with the singer afterward. The thought barely
crossed my mind that maybe the singer was attempting some light
“hazing” ritual to solidify my place in the band. Perhaps he was
trying to see if he could get me drunk enough to make a mistake, but
I ignored my thoughts and kept gladly accepting free shots. Before
our second set, I noticed my Uncle (who's also a musician) at the bar
and briefly spoke to him before I took the stage again. He sat a shot
on stage in front of me toward the end of our set, I quickly signaled
a “cheers” to him and slammed it before going into more of the
Country hits filling this part of the night's set-list.
It was at this point I really felt the
singer was trying to get me drunk; he almost immediately called me
over to the bar for several more rounds before our final set. He was
clearly starting to feel it and was perhaps struggling with the
realization that you should never try to out-drink a large Metalhead,
especially yours truly; I've watched many people fall trying to keep
up with my tolerance. Our final set was filled with rowdy, redneck
standards from Charlie Daniels and the like and I was feeling right
at home trading guitar solos with our other guitarist, “Birdman”.
It was around this time that our singer started getting really sloppy
on the microphone as well as on the dance floor. He tried convincing
my girlfriend to dance with him to “show support” for the band
and she was having no part of it. Our set was cut a couple songs
short after he disappeared into the bathroom to begin the process of
ruing the day he tried to go shot-for-shot with the one they call,
“Hideous”, but we stretched the solos out in the last song to
make up for time. At this point in the evening, everyone in the bar
was too drunk to notice or care.
After the show, I collected 60 dollars
from one of the “band leaders” (HA!) and cold shoulders from
everyone except “Birdman” who appeared to have more-or-less as
much fun as I did. Perhaps the most important thing you can have in a
band is chemistry with the other members and for the most part, none
of us ever “clicked” with each other. After taking an
introspective look at the previous year and a half with that band, I
decided that somewhere around 300 dollars for three shows was great
money, but having to deal with those people for such extended periods
of time was simply not worth it. I determined that I was never and
would never truly be a part of that band and I never returned to
practice. Truthfully, I don't regret the experience at all because I
learned two valuable lessons from that band; learning different
styles of music is a great way to improve your own art and
compromising your passion for a payday just isn't worth the effort.
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